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Career Highlights:

Aaron Cullers
Oct 7, 2025
LL Cool J would be so triggered right now.
Everyone loves a comeback story.
Music swells, the montage kicks in, and the fallen hero emerges from the wreckage somehow wiser, sharper, and victorious. It’s where Luke stands by the pyre. It’s where Private Ryan gets out of the war alive. It’s where Hangman Adam Page raises the belt after the main event.
(That last example was for the sickos.)
The heroic journey of the comeback story is beyond cinematic and satisfying. Ir represents COMPLETENESS. Every beginning gets to the middle and every middle brings you to the end.
Except!
Except.
Except real life doesn’t come with soundtracks or third acts that bring about the rousing redemption. And most powerfully… the comeback part of the story isn’t actually the story.
The rebuild is the story. (The journey!) And that’s the part no one wants to live.
When people say they want a comeback, what they really mean is: I want to skip the humility phase. The messy, invisible, patience-testing phase where the work feels meaningless and not a clap can be heard.
They want the headline without the thousand quiet mornings that make it possible.
Yet, every real comeback begins in the same unglamorous place: with someone who’s lost more than their footing. Like their confidence or their identity, maybe even their sense of direction. And instead of pretending it didn’t happen, they start rebuilding piece by piece.
The myth says it’s about speed. That the faster you get back “out there on that horse like a bicycle,” the stronger you are. Reality says it’s about integrity… where the longer you stay in the work before seeking applause, the more durable your foundation becomes.
I used to think credibility came from momentum: from visible output, new titles, metrics, awards. The truth is credibility compacts in private way more than it actually compounds in public.
It’s built in the quiet repetition. Like a workout. Or the missed calls. Even the half -finished frameworks that no one will ever see, anyway.
The real story is the slow, boring process of outgrowing your own mistakes without burning yourself down for them.
That’s what the rebuild looks like: No audience, no applause, no dopamine kick. Just showing up when your own reflection feels like a stranger and still deciding you’re not done. And if you’re doing it right, you’ll start noticing a shift: the applause matters less.The metrics don’t define you.
You stop rushing to be seen because you’re too busy building something that works.
At that point, the comeback becomes inevitable, because you’re not chasing a return, you’re creating permanence.
The irony is, by the time the world notices you’re “back,” you’ve already moved on.
The comeback everyone sees is just the residue of 10,000 private rebuilds they never did.
The real imaginary story isn’t that people fall and rise again. The real myth is that you ever “come back” at all.
You don’t. You build forward. Forward into something new and stronger and infinitely quieter.
